One more poem for the month of April

Posted by Probablepossible on Apr 21, 2007 in Blogging |

This is something that I memorised for the open mike over at Smokedaddy’s one evening. I barely got through it, it nearly made me weep. I’ve never tried to speak it aloud since.

Edgar Lee Masters (1868–1950). Spoon River Anthology. 1916.
Fiddler Jones

THE EARTH keeps some vibration going
There in your heart, and that is you.
And if the people find you can fiddle,
Why, fiddle you must, for all your life.
What do you see, a harvest of clover?
Or a meadow to walk through to the river?
The wind’s in the corn; you rub your hands
For beeves hereafter ready for market;
Or else you hear the rustle of skirts
Like the girls when dancing at Little Grove.
To Cooney Potter a pillar of dust
Or whirling leaves meant ruinous drouth;
They looked to me like Red-Head Sammy
Stepping it off, to “Toor-a-Loor.”
How could I till my forty acres
Not to speak of getting more,
With a medley of horns, bassoons and piccolos
Stirred in my brain by crows and robins
And the creak of a wind-mill—only these?
And I never started to plow in my life
That some one did not stop in the road
And take me away to a dance or picnic.
I ended up with forty acres;
I ended up with a broken fiddle—
And a broken laugh, and a thousand memories,
And not a single regret.

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7 Comments

  • The Fiddler of Dooney
    When I play on my fiddle in Dooney,
    Folk dance like a wave of the sea;
    My cousin is priest in Kilvarnet,
    My brother in Moharabuiee.
    I passed my brother and cousin:
    They read in their books of prayer;
    I read in my book of songs I bought at the Sligo fair.
    When we come at the end of time,
    To Peter sitting in state,
    He will smile on the three old spirits,
    But call me first through the gate;
    For the good are always the merry,
    Save by an evil chance,
    And the merry love the fiddle
    And the merry love to dance:
    And when the folk there spy me,
    They will all come up to me,
    With ‘Here is the fiddler of Dooney!’
    And dance like a wave of the sea.

    • Stella Omega says:

      I tried reading that one aloud- couldn’t get through it. Must be something about fiddlers, eh?
      Actually, I posted “Fiddler Jones” because posted that very same Yeats poem. She also linked to this little tit-bit from the Washington Post on the subject of Joshua Bell’s busking experiment. Which likewise put a lump in my throat. It must be the fiddle.

      • Here’s another one for you

        The Violins – Al Kamanjaat
        by Mahmoud Darwich
        The violins weep with the Gypsies heading for Andalusia,
        The violins cry for the Arabs departing Andalusia.
        The violins cry for a lost epoch that will not return,
        The violins cry for a lost homeland that could be regained.
        The violins burn the forests of the far darkness
        The violins wound the horizon, and smell the blood in my veins.
        The violins are horses on a string of phantoms, and water groaning,
        The violins are a field of wild lilac that move forward and backward.
        The violins are a beast tortured by the nails of a woman who touches and then move away,
        The violins are an army that builds a grave of marble and melodies.
        The violins are the anarchy of hearts picked up by the wind on a dancer’s foot,
        The violins are flocks of birds seeking shade under an incomplete banner.
        The violins are the complaints of the curled silk on a passionate night,
        The violins are the effect of wine denied to an earlier thirst.
        The violins follow me, here and there, to avenge me,
        The violins are searching to kill me, wherever they find me.
        The violins cry for the Arabs departing Andalusia,
        the violins weep with the Gypsies heading for Andalusia.

        I know this poem because the great Geoff Berner made it into a song. Check out his stuff – Berner himself is one of the best songwriters alive, although he’s not very well known on account of he’s a Canadian punk-klezmer accordionist.

  • Stella, you always find these clever pieces that are outside the realm that I know. It’s very evocative.

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